Public Enemy’s song misunderstood amid devastating fires
Chuck D of Public Enemy has pleaded to fans to stop using the group’s iconic protest song “Burn Hollywood Burn” in connection with the ongoing wildfires ravaging Los Angeles. The song, which features Ice Cube and Big Daddy Kane, has been mistakenly linked to the tragic natural disaster by some on social media, where it has been used as a soundtrack for footage of the destruction caused by the fires.
On Instagram, Chuck D clarified the true meaning behind the song, explaining that it was initially written as a protest anthem against racial inequality, not as a commentary on the fires. The track references the 1965 Watts Rebellion and the phrase “burn baby burn,” famously coined by radio host Magnificent Montague in response to the violence and anger sparked by systemic racism.
Chuck D stressed the song’s more profound purpose, writing: “‘Burn Hollywood Burn’ is a protest song. Extracted from the Watts Rebellion monikered by the Magnificent Montague in 1965 against inequality when he said ‘burn baby burn’ across the air.” He also urged followers to refrain from using the track in the context of the wildfires, adding, “Please don’t use our song on your reels and pictures of this horrifying natural disaster.”
With the wildfires wreaking havoc in Los Angeles, causing extensive damage and claiming lives, celebrities like The Game have been stepping in to offer their support. The Compton rapper has been on the ground, assisting firefighters, delivering supplies, and offering moral support during this devastating crisis. The Game shared on Instagram that he and his team have been helping the brave firefighters on the front lines, providing essentials like food, water, blankets, and other supplies while expressing his deep sympathy for those affected by the wildfires.
As the fires continue to destroy homes and businesses across the region, it’s clear that the community is rallying together to support those in need. However, Chuck D’s message reminds us to be mindful of the context behind protest music and avoid misusing it in a way that undermines its original message.
